Producing Next Day Edits (NDE) for pre-wedding events (e.g. mehndis) is something we don’t usually do. But for Salman and Arooj we made an exception. These two shared a very vibrant chemistry, likely a result of their vibrant, fun and free individual personalities. We had to convey that sparkling energy and good cheer (the individual and the collective) so we produced an NDE of their mehndi—an event filled with entertainment and merriment, aptly reflective, we think, of Salman and Arooj.
At each and every wedding, a specific event becomes a most memorable highlight of the wedding itself and the major underlying theme in our same-day or next-day edits.
At Indi and Jason’s wedding that highlight was the “Money at the Door” game. The game, for those unfamiliar with it, is similar to the “Chinese Door Game.” Following the marriage ceremony, the groom, along with his entourage of male friends and family, arrives at the bride’s house to “retrieve” his bride, as it were. His entrance is blocked by the bride’s entourage of female friends and family. Passage is only permitted when the groom hands over cash (large sums only) to the bridal party. Traditionally, the game takes place immediately after the ceremony, but in the case of this bride and groom, it took place much later and went on for a lot longer.
The groom and his entourage made the bridal party wait for over an hour before gracing them with their presence. If that wasn’t enough to annoy the ladies, the gentlemen then went on to play cards, have drinks and generally have a good time, making the ladies wait even longer for the request of passage. But the ladies were opponents on par. Watch for yourself, their method of reprisal.
What can be said about Bobby and Sharmi? Well, for starters, both are well-grounded in their adult selves, but neither is afraid to let loose their inner child. From the very first it was clear that their personalities complemented one another’s well. It was also quite clear that Bobby was out to make his future wife as happy as he could—which became even more evident on their wedding day.
Bobby is brimming with positive energy. And he knows how to pass it along. He strives to make others happy and manages it rather well since own his positive energy is so contagious. He’s a good chap and a good load of fun to be around.
As for Sharmi…well, let’s just say Sharmi was a startlingly calm bride. When her Mehndi artist was about 3 hours late, she didn’t so much as twitch, let alone fret. She may have been bothered and troubled on the inside, but she never let it come across. Not even for a second. And on top of that, she is quite the people person. In her reception speech Sharmi said, “people’s success is measured by the number of friends they have and considering that I am blessed with so many, I consider myself successful.” If success is measured by the enrichment brought into our lives by our relations, then Sharmi is indeed successful—as a daughter, sister, friend and future wife.
It was an honor to be a part of such a dazzling and delightful event. Congrats guys!
The song we used for Bobby and Sharmi’s Same Day Edit features the late Nusrat Fateh Ali Khan. Entitled “Afreen,” it came out in the mid 90’s and a personal favorite of mine because of its beautiful vocals, music and of course, for its rich poetry. Cheers!
Farah the bride is a wedding planner. Kazi the groom is a stand-up comedian. Considering the stress and strain of wedding planning, the comic relief provided by Kazi is likely a welcome and blessed break from all that stress. (Farah must have a laugh). And in case the stress of becoming humorless ever plagues Kazi, we’ve no doubt the traumas and dramas surrounding wedding planning are inexhaustible sources of jokes and jabs. (Kazi must have a blast).
All in all, this couple is a match made in heaven.
Farah and Film-Style have often worked together. Farah, a wedding planner for Sapna Weddings, became interested in our work upon seeing it at many a wedding. We were happy to shoot her wedding as well–a gem of tradition. A traditional Bengali Muslim wedding to be exact, filled with dancing during the mehndi and followed by a visually stunning reception.
With all projects, it is our intent that we should meet the bride and groom first and foremost to ensure that we understand their vision and that they are comfortable with our work and our creative aspirations.
However, in Monica and Anu’s case, we had to settle for meeting just the bride initially, along with her father and uncle. Considering that Monica had already seen our work at another wedding event and was eager to have us cover her own wedding, the contract was settled straight away. After that, a date was agreed upon when we could meet up with both bride and groom, since Anu was unable to make it to that first meeting.
Anu is by far one of the most carefree grooms we’ve ever encountered. If our initial meeting wasn’t indicative of this fact, Anu’s disappearing act on the wedding day certainly was. Our team of cinematographers and photographers could not locate which room he was staying in at the Royal York Hotel and it seemed that no one else knew either. After about 45 minutes of fruitless searching, Monica began to panic and our team began to get the jitters too thinking that this would be a first in all our experience.
But we’re glad to say that all such concerns were baseless. Better yet, we managed to capture the phone conversation between Monica and Anu, once Monica had finally gotten a hold of him. (It was quite the conversation and we’ve no doubt that the footage we captured will be a source of good laughs for years to come).
The wedding was one of the most beautiful outdoor ceremonies we’ve covered. It was held at the Liberty Grande and was followed by a visually riveting reception at the same venue.
Gagan and Rashmi’s wedding was simply magnificent. It was, in fact, an epic wedding, if you will. Every event, from the Sangeet to the Reception (including everything in between) was planned with precision, every single detail carefully considered and executed–because an event is the sum of its parts. And if the parts are perfect, then perfection prevails overall, and indeed it did.
Following our initial meeting with the couple, we took a tour of the wedding venue: Sarkaria States. We often visit venue sites, beforehand, just to acquire a sense of space and energy, so that we can translate such elements onto the screen effectively. The first event, the Sangeet, featured quite a lot of energy with music, performances, ceremonies and a mouth watering menu. Then came the Sikh Ceremony. We arrived early to cover the preliminaries–the getting ready and the general prior pandemonium. It was an early morning for us and those tend to be tough, but, as always, once the event began and we became absorbed with the task at hand—ensuring full and creative coverage—it all flowed seamlessly. The simple but elegant ceremony was followed by the photoshoot.
According to Sikh Tradition, before entering the groom’s home as his bride, the bride must first be given away by her parents, at her own home. In a highly symbolic procession, the groom leads her out of her (former) home as her parents follow her departure. But since Rashmi’s parents flew in from their home in Africa, the Rukhsati or the “giving away” ceremony took place at the Hotel, where Gagan sang his self-made musical masterpiece: “Rashmi Rashmi tu Kithe Hai, Tu Darwaje Se Bhar Nahin Andi” (“Oh Rashmi, Where Are You and Why Don’t You Come Outside?”)—a truly unique touch—one we can honestly say, we’ve never seen before (and we thought we’d seen it all!)
While filming some general footage, we requested Gagan to allow us to mount our Go Pro cameras on his beloved Aston Martin, but he wasn’t too keen on the idea—understandably. But no quandary ever plagues us for long. We simply mounted them on our own car and acquired the footage beautifully.
Like any film, the finale had to be grand and it certainly was. Following the Rukhsati, both bride and groom drove to Gagan’s house in Gagan’s Aston Martin and then took a romantic ride on a Horse Carriage. The grand finale carriage ride was shot with 2 Go Pros, mounted on our vehicle and by 3 separate cinematographers with DSLRS
Finally, our heartfelt congrats to the couple and a warm thank you to the Sarkaria and Pradhan families for their hospitality and for the opportunity of allowing us to cover their epic event—Cheers!
Two words that don’t merely describe Fahad and Ayesha, but rather define them, are: calm and gracious. Film-Style’s first meeting with them was accidental, a chance run-in at a wedding show. But from that initial meeting and onwards, it was clear to us that Fahad and Ayesha were meant for each other.
The idea of an upcoming wedding conjures up a lot of images, most of them exciting and positive. But there is one less than positive element that threads its way into the most organized and the most meticulously planned of wedding events: chaos.
With all that’s going on at a wedding, something’s bound to go wrong. Take it from us: it’s inevitable. But most of the time, though the mishap tends to cause general madness, things get sorted out rather well. And the sequence of events tends to be universal: Something goes wrong, there’s a bit of a panic, and then–it’s all resolved. Fahad and Ayesha however, proved to be a couple that never panicked—not once. If they ever did, they hid it phenomenally well and not a soul was ever the wiser. You will certainly see their mutual and magic trait of calm in this wedding trailer. A three day wedding event composed of the Mehndi, Shaadi and the Valima.
In July of 2010, Cassandra Williams approached us for a concept production, having seen a few productions on our website. She also wanted to take us on for our cinematography services, only she’d already booked with another company. But following our conversations, she decided to opt out of her initial contract to sign up with us instead. And thus began this journey.
And thus began the brainstorming. We met up with both Cassandra and her fiancé Ravi Ramjit and came up with the idea of a Medley themed production that would highlight their relationship from its inception (at their first meeting) to its culmination (in their marriage), using bollywood songs from the 60’s onwards. We’d been waiting to realize just such a production for a while now, and had been waiting for just the right couple to star in it. So when Ravi and Cassandra mentioned the idea, we jumped on board! And boy, did these two prove to be just the couple for such a production:). Well done guys!
Our very first task was to find 9 songs that would aptly reflect Ravi and Cassandra’s connection and chemistry. The second part of course was the preparation for the multiple shoots. Finding the right locations, costumes and pulling off all the right looks for all the different songs was challenging. And filming proved challenging as well as tight schedules loomed large, particularly Ravi’s. But where there’s a will, there’s a way:). We broke the filming down into two parts: the first part consisted of 3 full days of filming and the second, 2 full days of filming. The final product is, I must say, phenomenal. We outdid ourselves, and special thanks goes out to Olga Make-Up, Body and Art for creating almost identical looks to those of the songs we selected. And to Fine Cakes by Zehra, CTC West and Crystal Fountain Banquet Hall, all of whom were a tremendous help in the completion of this project.
And finally, *a round of applause* to the couple: Ravi and Cassandra, may we be the first to say that you two would give any bollywood couple a run for their money:). *Cheers and Applause!*
In June of 2010, we received a phone call just as we were closing office for the day. A Suri Dhaliwal from Winnipeg was calling to inquire about our Cinematography & Photography services. Normally, we request the client to call back during business hours, but on a whim, I asked Suri to call my cell 20 minutes later.
Twenty minutes later, I was out shopping with the family when Suri called back accompanied by her fiancée, Ruben Karla on speaker phone. While my wife carried on with the shopping, I wandered around aimlessly, immersed as I was in the conversation, which lasted about 30 minutes. Even though I’d never actually met the couple (not yet that is), they struck me straightaway as clientele for whom we would no doubt do something very special.
Our team flew down to Winnipeg for 6 days to cover the pre-wedding events including the mehndi, mayyun and chunni rasm, followed by the wedding itself i.e. the elegant sikh ceremony and then the grand reception.
Getting to know the couple is central to Film-Style’s philosophy. Ruben and Suri proved this philosophy all the more indispensable. We spent a great deal of time with both of them, which is precisely why we believe that their chemistry translated onto the screen as gracefully and as seamlessly as it did.
Congrats to the couple and their families. Cheers!
In July of 2010, Cassandra Williams approached us for a concept production, having seen a few productions on our website. She also wanted to take us on for our cinematography services, only she’d already booked with another company. But following our conversations, she decided to opt out of her initial contract and sign up with us instead. And thus began this journey.
And thus began the brainstorming. We met up with both Cassandra and her fiancé Ravi Ramjit to that end…the conclusion of which was the concept film ‘Kismet se Milna’ (A Chance Encounter). But enough about that, let’s get down to the crux of the matter: the wedding itself!
It is Film-Style’s philosophy that our team should come to know the couple very well, so that we can produce work that really brings forth the couple’s personality, and that the couple should come to know our team very well so that they become completely comfortable in front of the camera. To that end, we spent well over 30 hours in Skype conferencing with Ravi and Cassandra over the past year—and it certainly shows. Both Ravi and Cassandra were very relaxed throughout each event, i.e. the mehndi, the pooja, and the ceremony and reception.
Hindu weddings are a bright affair as it is but this one was especially so–it was full of life, colour and a lot of fun. And Dream Party Decor‘s decor was, as always: Stunning. So have a look at this Next Day Edit and check out the much anticipated concept film ‘Kismet se Milna’ (A Chance Encounter), tomorrow.
Film-Style has always had the unique pleasure of working with interfaith couples. Covering an interfaith marriage is loads of fun, not just because of the different cultural and religious traditions that are all wrapped up in one big happy package but also because it’s a rewarding experience to be able to see two very different worldviews, encompassed within those cultural and religious traditions, become as one. It’s a ‘feel good’ kind of wedding that enables and embraces differences even as it reconciles them within the institution of a marriage.
Sameera (the Muslim bride) and Jagan (the Sikh groom) proved to us once again this beauty of an interfaith union. On July 8th, this couple held their Sangeet/Holud where their respective cultural traditions were paid tribute to “desi-style,” with a lot of dancing and a lot of performances. And on July 9th, their respective religious traditions were honored and upheld at their respective religious ceremonies, with a lot of love and respect from their families.
We wish this couple great success in the future and a lot of happy new traditions in the making. Cheers!
Sometimes eloquence lies in simplicity Although Annum and Saad’s wedding appeared to be no less than Royalty but their wedding was very traditional. Something we see very rare these days.
We met Annum mid last year but didn’t get a chance to meet Saad up until few months ago since he is from Boston. Although, it’s always good to meet the couple before the wedding, we learned a lot about Saad very much through Annum. And that really is a testament to their relationship.